0
$0.00 0 items

No products in the cart.

FashionMusicArtCulture

Demna Reconsiders Fashion’s "Standard" at Balenciaga
By Daphné Gosselin

Richard Kern’s New York Girls Now
By Rachel Weinberg

Lisa Lerkenfeldt's 'The Folded Page'
By Maeve Sullivan and Lameah Nayeem

Chloé Goes Grrrrl
By Carwyn McIntyre

Sarah Burton's Première at Givenchy
By Carwyn McIntyre

Daniel Roseberry Vies for Femininity  at Schiaparelli
By Karen Leong

to Be is an online and biannual print-issue platform exploring an emerging generation of creatives attributable to coveted fashion, music, arts and cultural industries.

Sarah Burton's Première at Givenchy
By Carwyn McIntyre

Daniel Roseberry Vies for Femininity  at Schiaparelli
By Karen Leong

Alaïa Sculpts the Female Form
By Daphné Gosselin

Helmut Lang's Exhibition 'What Remains Behind'
By Grace Sandles

"Memory is the Seamstress" Calls Dior
By Grace Sandles

The Art of John Grant
By Maeve Sullivan

Bally For Every Day, All Day Long
By Carwyn McIntyre

Milan In Review
By Carwyn McIntyre

David Koma’s Cinematic Blumarine Debut
By Daphné Gosselin

Prada Covers Up
By Carwyn McIntyre

Read More
‘Multi-hyphenate’ and ‘multi-disciplinary’ are labels for individuals who embody numerous roles. Yet, the idea of excelling in various fields contradicts what we’re taught growing up: choose one profession, follow one path, be one thing. In fashion—and the creative world at large—that simply isn’t possible. Writers are artists, musicians are graphic designers, directors are actors. Why is this the case? Partly because our industries are under-resourced and largely under-funded, requiring people to take on multiple roles. But more fundamentally, creative people can indeed do many things. And, more importantly, they want to. This issue of to Be explores this very impulse to adapt and redefine our positions, our inclination to shapeshift into the many roles we play.

Sign up to our e-newsletter: