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FashionMusicArtCulture

A Dialogue in Design: Saint Laurent × Charlotte Perriand
By Daphné Gosselin

Versace Reborn in a New Era Under Vitale and Prada
By Ruby Smuskowitz

Clover Green Is Not Chasing Perfection
By Rachel Weinberg

Thanks for Coming! Issue 08 Launch
By To Be Team

The Cinematic Sound of Eiko Ishibashi
By Rachel Weinberg

Oleum and the Reimagining of Opera
By Rachel Weinberg

1 2 3 107
to Be is an online and biannual print-issue platform exploring an emerging generation of creatives attributable to coveted fashion, music, arts and cultural industries.

A Dialogue in Design: Saint Laurent × Charlotte Perriand
By Daphné Gosselin

Versace Reborn in a New Era Under Vitale and Prada
By Ruby Smuskowitz

Clover Green Is Not Chasing Perfection
By Rachel Weinberg

Thanks for Coming! Issue 08 Launch
By To Be Team

The Cinematic Sound of Eiko Ishibashi
By Rachel Weinberg

Oleum and the Reimagining of Opera
By Rachel Weinberg

Amy Taylor and the Power of Australian Ferality
By Ryan Delaney

Jonathan Anderson Enters His New Era
By Zefang Cui

Going Clear with Duckwrth, an All American F*ckboy
By Mark Bo Chu

Harrison Ritchie-Jones On Tantrum for 6
By Maeve Sullivan

1 2 3 64
Read More
‘Multi-hyphenate’ and ‘multi-disciplinary’ are labels for individuals who embody numerous roles. Yet, the idea of excelling in various fields contradicts what we’re taught growing up: choose one profession, follow one path, be one thing. In fashion—and the creative world at large—that simply isn’t possible. Writers are artists, musicians are graphic designers, directors are actors. Why is this the case? Partly because our industries are under-resourced and largely under-funded, requiring people to take on multiple roles. But more fundamentally, creative people can indeed do many things. And, more importantly, they want to. This issue of to Be explores this very impulse to adapt and redefine our positions, our inclination to shapeshift into the many roles we play.

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