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FashionMusicArtCulture

Chanel's Exercise in Preservation
By Jasmine Penman

Sophie Hur: From The Other Side, Looking In
By Rachel Weinberg

Vân-Nhi Nguyễn Crafts a New Portrait of Vietnam
By Rebecca Lynne Loftin

The Slow Art of Casual Couture 
By Claire Summers

At Valentino, Alessandro Michele Delivers a Meditation on Selfhood
By Jasmine Penman

Paris, Texas at Schiaparelli
By Carwyn McIntyre

1 2 3 102
to Be is an online and biannual print-issue platform exploring an emerging generation of creatives attributable to coveted fashion, music, arts and cultural industries.

Chanel's Exercise in Preservation
By Jasmine Penman

Sophie Hur: From The Other Side, Looking In
By Rachel Weinberg

Vân-Nhi Nguyễn Crafts a New Portrait of Vietnam
By Rebecca Lynne Loftin

The Slow Art of Casual Couture 
By Claire Summers

At Valentino, Alessandro Michele Delivers a Meditation on Selfhood
By Jasmine Penman

Paris, Texas at Schiaparelli
By Carwyn McIntyre

Demna Reconsiders Fashion’s "Standard" at Balenciaga
By Daphné Gosselin

Richard Kern’s New York Girls Now
By Rachel Weinberg

Lisa Lerkenfeldt's 'The Folded Page'
By Maeve Sullivan and Lameah Nayeem

Chloé Goes Grrrrl
By Carwyn McIntyre

1 2 3 62
Read More
‘Multi-hyphenate’ and ‘multi-disciplinary’ are labels for individuals who embody numerous roles. Yet, the idea of excelling in various fields contradicts what we’re taught growing up: choose one profession, follow one path, be one thing. In fashion—and the creative world at large—that simply isn’t possible. Writers are artists, musicians are graphic designers, directors are actors. Why is this the case? Partly because our industries are under-resourced and largely under-funded, requiring people to take on multiple roles. But more fundamentally, creative people can indeed do many things. And, more importantly, they want to. This issue of to Be explores this very impulse to adapt and redefine our positions, our inclination to shapeshift into the many roles we play.

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