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FashionMusicArtCulture

“The In Between”
By Kamilla Musland

A feather for your thoughts: A look at Ludovic de Saint Sernin’s debut for Ann Demeulemeester.
By Tia Bang

Pseushi’s Top 5 Independent Australian Labels
By Pseushi

How Melbourne’s favourite upcoming designers are redefining the codes of making and showing fashion in a post-pandemic industry
By Briony Wright

Overmono
By To Be

Dystopian Romance: Junya Watanabe’s Women’s FW23 Show
By Guest

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to Be is an online and biannual print-issue platform exploring an emerging generation of creatives attributable to coveted fashion, music, arts and cultural industries.

Moments with Hugo Costin
By Annabel Blue

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By To Be Team

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‘Multi-hyphenate’ and ‘multi-disciplinary’ are labels for individuals who embody numerous roles. Yet, the idea of excelling in various fields contradicts what we’re taught growing up: choose one profession, follow one path, be one thing. In fashion—and the creative world at large—that simply isn’t possible. Writers are artists, musicians are graphic designers, directors are actors. Why is this the case? Partly because our industries are under-resourced and largely under-funded, requiring people to take on multiple roles. But more fundamentally, creative people can indeed do many things. And, more importantly, they want to. This issue of to Be explores this very impulse to adapt and redefine our positions, our inclination to shapeshift into the many roles we play.

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