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FashionMusicArtCulture

Unlocking our Skate Spirit at Chopova Lowena SS24  
By Rachel Weinberg

CHRISTOPHER POLACK and the art of IMPERFECTION
By Annabel Blue

Elena Velez The Longhouse
By Katie Brown

Valentino Redefines the Black Tie in their Fall/Winter 2023 Campaign
By Rachel Weinberg

Simple, Sparkly, Striking Sandy Liang!
By Rachel Weinberg

Into The Stradasphere
By Lola McCaughey and Rachel Weinberg

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to Be is an online and biannual print-issue platform exploring an emerging generation of creatives attributable to coveted fashion, music, arts and cultural industries.

New York Fashion Week Shows We Actually Loved
By Katie Brown

Moncler Presents MONDOGENIUS
By Annabel Blue

The Art of the Tomikono Wig
By Serena Cowie

Force Majeure Is Our Irresistible Compulsion
By Sarah Buckley

Grouper Announces New Album, 'Shade', Sharing New Song 'Ode To The Blue'
By To Be Team

Joshua Gordon's Latest Transformation
By Annabel Blue

Editor's Picks: The Grotesque Archive and Second Skin Archive
By To Be Team

APOC Store. We Want It All.
By Sis Cowie

Maara’s ‘Potion Activated’ is Seductive Sonic Satisfaction
By Sarah Buckley

Eugene Rabkin and Lauren Amos Usher In a New Era For Modern Fashion
By Annabel Blue

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‘Multi-hyphenate’ and ‘multi-disciplinary’ are labels for individuals who embody numerous roles. Yet, the idea of excelling in various fields contradicts what we’re taught growing up: choose one profession, follow one path, be one thing. In fashion—and the creative world at large—that simply isn’t possible. Writers are artists, musicians are graphic designers, directors are actors. Why is this the case? Partly because our industries are under-resourced and largely under-funded, requiring people to take on multiple roles. But more fundamentally, creative people can indeed do many things. And, more importantly, they want to. This issue of to Be explores this very impulse to adapt and redefine our positions, our inclination to shapeshift into the many roles we play.

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