There are three fundamental components of a successful music festival. The first is the diversity of music. The music should encompass a broad range of sounds, spanning prevailing artists, popular anthems, independent talents and emerging voices. The second is ambience. The atmosphere should be characterised not just by vivacity and enthusiasm but also by tangible activations, including decorations, installations, communal spaces and activities. The third and final component is an inclusive and embracing community, an increasingly precious ingredient within Australia’s expanding commercial event scene. The thirty-first edition of the Meredith Music Festival exemplified these components with remarkable finesse.

Meredith’s line-up was a testament to their broad musical taste. It included international stalwarts including Moktar, Kuniyuki and Caroline Polachek, whose vocal pop prowess completely serenaded the supernatural bowl (better known as the Sup). The legendary Berlin-based electronic ensemble Kraftwerk also performed, commanding the stage in luminescent bodysuits and synthesiser-driven visualisers. Canada-based Alvvays brought back memories of balmy summer evenings with their indie melodies, while Alex G energised the crowd with his guitar riffs.

Despite challenging weather conditions—dry winds, sudden downpours and muddy terrain—the spirit at Meredith remained resolute and vibrant. The festival and its attendees brought a sense of adventure and resilience, turning potential drawbacks into unique, rather joyous, experiences.

Images courtesy Ethan Cassidy www.ethancassidy.com